Steve
Rachmad
Steve Rachmad
is globally known as a Dutch techno producer and DJ. By many, he is
considered a father of Detroit techno in this country of windmills and
numerous channels, respected in the world of electronic music for his
deep, groovy sounds that tend to rest on impressive strings, melodies,
funk and soul. His career has been reaching its highest peaks from 1996
up to the present time. Yet, it is somewhat less known that he has been
in the music realms for 23 years by now.
Steve’s life story starts in
Amsterdam, where he saw the first lights of the day on November 19,
1969. Twelve years later, teenage Steve already starts buying his first
records: to mix, remix, and cut-and-paste their parts with an open reel
tape deck. In such a cut-and-paste fashion, he presented his first
release in the mid-1980s. Among these early releases was also the one
created for a hip-house/dance artist Tony Scott.
From that time on, Steve
finds his inspiration in the 1980s dance and electro, works of former
Time members (Jimmy Jam and Terry Lewis), The System, Arthur Baker, to
name but a few. At the age of 15, he also starts his DJing career with
a disco set in a small Amsterdam club. Nevertheless, his love for music
urges him to start buying equipment, which would later result in a
professional studio that is, according to him, “everything he ever
dreamt of having.” Today, his equipment is mainly analogue, providing
him with a chance to explore the realms of warm, alive, non-static
sounds. He laid the corner stone of this collection in 1985, by getting
a TR-808.
A year later, Steve gets
introduced to the house music. His attention is captured by the new
sounds echoing mostly from Detroit and Chicago, i.e. by the work of
artists such as Mr. Fingers and Derrick May. Following their style,
Steve’s own style takes a new direction. He is soon to be found working
with artists like Darren Emerson and Derrick May.
The incoming years are to be
marked by numerous successful releases on labels such as 100% Pure,
Underwater, Fragile, M-Plant, Tresor, etc. He also made a significant
number of remixes, signed under various pseudonyms. Among Steve’s most
respected releases is certainly his album “Secret Life of Machines,”
which came out in 1996 under his pseudonym Sterac, and is up to this
date considered as one of the all-time techno classics. About the same
time his DJing path starts rapidly evolving as well. Until today, Steve
shares his talent with the crowds all over Europe, North and Latin
America, and Japan. He occasionally spins disco and electro, but mainly
techno.
Of all the fictitious names
he used throughout his career to sign his productions, the ones that
remained until today are Sterac, Ignacio, Dreg, Parallel 9, Adverse
Match and Sterac Electronics (his pseudonym for electro productions).
They appear on labels like Music Man, CLR, Jericho, Sino (Technasia),
etc. Steve also runs three labels of his own: Scorp, Ion, and an
electro label Interpersonal //XP. The history of remixes continues into
the present, including a variety of people, such as the Advent, Vince
Watson, Kanzleramt, Mark Broom, Chris Liebing, etc.
Over the years, Steve lost
the count of his productions and remixes. However, he built an oeuvre
that is without a doubt of a high magnitude: both quality and
quantity-wise. Unfortunately, his busy DJ schedule puts a limit on the
time he would like to spend in his studio. Yet, he strives for the
balance that would satisfy his enormous artistic appetite and
potential. His devotion to his dreams and inspirations drives him
safely into the successful future.